ZING! Probably the best bit of writing I’ve had in some time! I’m still around, I’ll be back
The ‘Breaks Master’ entered the breaks temple last weekend, with Elite Force making his debut at Moonbar’s night of nights Breaks and Enter on Saturday, complimented by fellow U&A label mates Hyperion, which saw them close out their moniker of Hyperion and move into a more ‘furious’ nature and namesake. The line-up at Empire was huge for the hour before Elite Force’s set was scheduled to start; the night was a forecast for absolutely huge beats, basslines and most importantly, breaks. With that forecast dominantly in mind Moonbar was packed to the brim with extremely eager punters gorging at the chance to see Simon Shackleton AKA Elite Force finally melt the paint on the walls of the Empire supported by the absolutely superb talent of Hyperion.
To inform you a bit about how Elite Force approaches his sets with the ideal that instead of utilising breakbeat anthems and top 10s, he works on reedits and mini-mashes of tracks to better keep his sets fresh, harder to predict and much more thoroughly enjoyable. His set at Moonbar was no different and having this unpredictability proved a perfect choice, with the crowd bending, shaking and grooving for the hour and a half his set lasted for, not a soul moved away as the music continued to smash. So, Force has dubbed these tracks he plays as ‘Combos’, so allow me to list some of the artists you would’ve heard if you were at his set: The Gossip’s Standing in the Way of Control over the fantastically titled and deep breaks number of his own Engine, and his breaks scene-waking collaboration with Meat Katie earlier this year Dark and Deep. But he didn’t allow his sets to consist of just breaks, with Force also dropping his two latest electro chompers from U&A’s favourite and electro’s favourite Zodiac Cartel, with both tracks from the latest single We Don’t Play That.
Later in the set, Force even dropped Pendulum’s heavy remix of The Prodigy’s Voodoo People, slowly building it in and completely obliterating the dancefloor with the modernised rave synths of the remix, soon after the track began its finish, Force added a little Fake Blood to the mix with his Theme Song fantastically timed the closing of Voodoo People. Finally, dropping his absolutely blinding remix of Plump DJs Scram, with a much tougher and less bouncy sound to the original, it had the clear Elite Force ‘Midas touch’, just like the rest of his set.
After the close, Hyperion stepped up behind the decks and in one of the most respectful moves I’ve seen at a club, killed the sound to make way for a thunderous amount of applause for the man who many believe (myself included) to be the man that continued to be the voice for quality over quantity and uniqueness over similarity in the breaks and electro scenes.
His Saturday night set at Breaks and Enter was sadly Hyperion’s last, before they are transformed into The Loops of Fury (obvious tip of the hat to the Chemical Brothers there, if you didn’t notice). They played a set not necessarily suited to the theme of Breaks and Enter, but it sure as hell sounded like it deserved to be there, with a set that was extremely impressive and only got better and (believe me) better as the night went on. With some obvious track choices, Hyperion dropped their sparkly, thunderous remix of Dylan Rhymes I Am Sweet, to the perfectly timed jumps of punters who didn’t leave after the headline had finished, but stayed and continued to groove the night away as Hyperion threw down some of the French touch with Mr. Oizo’s massive Positif and rewarding us with some dairy as they dropped Deadmau5’s The Reward is Cheese, the energy was unbelievable as punters didn’t grow tired, instead warming to them quickly and offering cheers and applause and smiles to help support the boys from Brisbane.
If you were thinking that Elite Force’s finale was good, Hyperion pipped him at the gate with a truly magnificent close to a set starting with their steamrolling remix of Force’s Peyote Road which moved effortlessly into the most beautiful closing track I’ve heard in a long, long time. Hyperion as an outgoing nod and as an incoming nod and as an inspirational nod, bought in a special re-edit of The Chemical Brothers remix of I Think I’m In Love from Spiritualized. Needless the say the track combined with the crowd ripped the roof, cracked the walls and shook the floors with its airy intro and dropping in to a modernised version of the 1999 breaks remix. As their set came to a close, the applause and supporting cheers continued and smiles were had all around,
Overall, at the end of the night, we witnessed Elite Force delivering the most eclectic set of breaks I’ve ever heard, and the energy and masterful focus he displayed behind the decks made for an absolute inspiration and comfort that the man knows much more than most, if not all. Only to prove his point further with his label mates Hyperion, now The Loops of Fury, showing off to everyone that they are indeed Brisbane’s latest and greatest.